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| The Delirious Cinematic Artifice of Bi Gan's "Resurrection" | The New Yorker "Resurrection," a magnificent intoxicant of a movie from the thirty-six-year-old Chinese director Bi Gan, is no ordinary love letter to cinema.
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| From film festivals to campuses: How India is silencing pro-Palestine voices - TRT World An international film festival has become the latest battleground in what critics describe as a systematic effort by Indian Prime Minister ...
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